Rawson’s early work predominately focused on paper collage and painting but would later move into abstract works using non traditional artists materials like wood and charcoal. His latest works see him return to his first love of painting. In these new works Rawson unleashes a flurry of flora into geometric diagrams. Revealing kaleidoscopic shapes to be a device to reclaim the connections between abstraction and the natural world. The artist's exploration of the still life, with flourishing curvilinear forms and abundance of lush colour, stems from the Northern Renaissance
